Although the term 'jouissance' is common currency in psychoanalysis today, how much does it really tell us? While often taken to designate a fusion of sexuality, suffering and satisfaction, the term has fallen into a purely descriptive use that closes down more questions than it opens up. Although assumed to explain the coalescence of pleasure and pain, it tends to cover a rang...(展开全部)

Although the term 'jouissance' is common currency in psychoanalysis today, how much does it really tell us? While often taken to designate a fusion of sexuality, suffering and satisfaction, the term has fallen into a purely descriptive use that closes down more questions than it opens up. Although assumed to explain the coalescence of pleasure and pain, it tends to cover a rang...(展开全部)

提摩太·凯勒（Timothy Keller，1950—2023）,美国畅销书作家，被誉为“21世纪的C. S. 路易斯”。其著作《为何是他》和《一掷千金的上帝》荣登《纽约时报》畅销书排行榜。另著有《诸神的面具》《婚姻的意义》《工作的意义》《慷慨的正义》《十架君王》等。

提摩太·凯勒（Timothy Keller，1950—2023）,美国畅销书作家，被誉为“21世纪的C. S. 路易斯”。其著作《为何是他》和《一掷千金的上帝》荣登《纽约时报》畅销书排行榜。另著有《诸神的面具》《婚姻的意义》《工作的意义》《慷慨的正义》《十架君王》等。

This lively and accessible textbook looks at how we talk about sex and why we talk about it the way we do. Drawing on a wide range of examples, from personal ads to phone sex, from sado-masochistic scenes to sexual assault trials, the book provides a clear introduction to the relationship between language and sexuality. Using a broad definition of 'sexuality', the book encompas...(展开全部)

Reimagines black and brown sensuality to develop new modes of knowledge production In Sensual Excess, Amber Jamilla Musser imagines epistemologies of sensuality that emerge from fleshiness. To do so, she works against the framing of black and brown bodies as sexualized, objectified, and abject, and offers multiple ways of thinking with and through sensation and aesthetics. Each...(展开全部)

Reimagines black and brown sensuality to develop new modes of knowledge production In Sensual Excess, Amber Jamilla Musser imagines epistemologies of sensuality that emerge from fleshiness. To do so, she works against the framing of black and brown bodies as sexualized, objectified, and abject, and offers multiple ways of thinking with and through sensation and aesthetics. Each...(展开全部)

艾华（Harriet Evans），英国伦敦大学东方与非洲研究院（SOAS）博士，英国威斯特敏斯特（Westminster）大学中国研究中心教授。

艾华（Harriet Evans），英国伦敦大学东方与非洲研究院（SOAS）博士，英国威斯特敏斯特（Westminster）大学中国研究中心教授。

这是一本极为大胆疯狂的书，体现了“初生牛犊不怕虎”的后现代主义精神。